Adoum DJIBRINE-PETERMAN
Producer, Innovative Media Content Designer, Business Design Consultant
cinematographic production
Innovative design
Skills management
Innovative business model
Training
France
Professional Status
Consultant
Open to opportunities
About Me
My professional career has been shaped by various experiences in international trade, audiovisual and innovation. I began my career exploring African territories, notably Chad and Ivory Coast, as well as the air, logistics and commercial sectors within the Air France Group.
In 2003, I launched my first audiovisual work, Reality Mag, well before the rise of YouTube. This disruptive production marked urban culture and transformed the standards of production and distribution of audiovisual content of the time. Its impact was such that it received a gold DVD certification, testifying to its significant influence in the audiovisual landscape.
My interest in entrepreneurship led me to introduce Tilos software to France, a linear planning tool adopted by companies such as SNCF, Bouygues, Vinci, Alstom, Razel, Colas, Cofiroute, and others. This success has been recognized by recommendations in calls for tenders for major civil engineering projects. I was a laureate of the Entreprendre and France Initiative networks, and named Hope of the Seine-Saint-Denis economy in 2009. I also chaired the La Nouvelle PME association, supporting numerous entrepreneurs from the political districts of the city.
As representative in France of the Chamber of Commerce, Industry, Agriculture, Mines and Crafts of Chad, I facilitated commercial intermediation activities for Franco Chad, establishing fruitful links between French companies and Chad.
As the founder of the Franco-Chadian association Chibina, I invested in the promotion of spirulina, a resource for which Chad is a reference country, thus contributing to sustainable development.
In the cultural and creative industries, notably audiovisual and cinema, I have designed, produced and managed innovative projects. As an associate of the company De l'Autre Côté du Périph', which produced the film "L'Ascension" with Ahmed Sylla, I led projects such as "Dans Mon Hall", an education program à l'image supported by the CSF, the Abbé Pierre Foundation, the Fondation de France and the CGET, leading to the first edition of the Dans Mon Hall festival at Paris Town Hall.
Cinema and transmedia productions represent for me a field where I can express my skills and my passion for creation. My professional practices integrate multiple intelligences, STEAM education (Science, Technology, Engineering, Arts, Mathematics), blue ocean strategy and lean startup.
As a producer, production director and general manager, I have worked on numerous audiovisual and cinematographic projects. I have also been a technical service provider for several films and productions, providing suitable and relevant solutions which have earned me the nickname "Swiss army knife of production logistics". I provide this skill within educational institutions, thus allowing it to be passed on to the next generations of professionals.
My expertise in digital transformation and artificial intelligence has allowed me to introduce digital solutions to optimize production processes and improve the user experience in the audiovisual and cinematographic industry. This expertise was shared during my masterclass at the Africa Pavilion at the 2024 Cannes Film Festival. Entitled "Digital Transformation and Artificial Intelligence in the Film Industry", this session offered an in-depth exploration of digital transformation and artificial intelligence in the film industry. It revealed the behind-the-scenes of film creation in the digital age and highlighted the extraordinary potential for Africa in this changing landscape. Attendees were able to delve into emerging trends, disruptive technologies and the unique opportunities offered by this exciting development.
In 2023, I obtained a certificate of specialization in Introduction to research in human and social sciences from the Conservatoire National des Arts et Métiers (CNAM). This training allowed me to acquire the essential skills for building scientific knowledge, designing research projects and scientific monitoring, while preparing me for possible integration into the research environment.
Since my appointment to the Higher Technical Commission for Image and Sound, I have assumed the responsibility of Project Manager in Educational Innovation and Technical Practices. My mission consists of studying and improving the professional practices of technicians, as well as evaluating initial and continuing training content.
My academic training includes a Master in Innovation Management and Innovative Design, strengthening my understanding of processes
In 2003, I launched my first audiovisual work, Reality Mag, well before the rise of YouTube. This disruptive production marked urban culture and transformed the standards of production and distribution of audiovisual content of the time. Its impact was such that it received a gold DVD certification, testifying to its significant influence in the audiovisual landscape.
My interest in entrepreneurship led me to introduce Tilos software to France, a linear planning tool adopted by companies such as SNCF, Bouygues, Vinci, Alstom, Razel, Colas, Cofiroute, and others. This success has been recognized by recommendations in calls for tenders for major civil engineering projects. I was a laureate of the Entreprendre and France Initiative networks, and named Hope of the Seine-Saint-Denis economy in 2009. I also chaired the La Nouvelle PME association, supporting numerous entrepreneurs from the political districts of the city.
As representative in France of the Chamber of Commerce, Industry, Agriculture, Mines and Crafts of Chad, I facilitated commercial intermediation activities for Franco Chad, establishing fruitful links between French companies and Chad.
As the founder of the Franco-Chadian association Chibina, I invested in the promotion of spirulina, a resource for which Chad is a reference country, thus contributing to sustainable development.
In the cultural and creative industries, notably audiovisual and cinema, I have designed, produced and managed innovative projects. As an associate of the company De l'Autre Côté du Périph', which produced the film "L'Ascension" with Ahmed Sylla, I led projects such as "Dans Mon Hall", an education program à l'image supported by the CSF, the Abbé Pierre Foundation, the Fondation de France and the CGET, leading to the first edition of the Dans Mon Hall festival at Paris Town Hall.
Cinema and transmedia productions represent for me a field where I can express my skills and my passion for creation. My professional practices integrate multiple intelligences, STEAM education (Science, Technology, Engineering, Arts, Mathematics), blue ocean strategy and lean startup.
As a producer, production director and general manager, I have worked on numerous audiovisual and cinematographic projects. I have also been a technical service provider for several films and productions, providing suitable and relevant solutions which have earned me the nickname "Swiss army knife of production logistics". I provide this skill within educational institutions, thus allowing it to be passed on to the next generations of professionals.
My expertise in digital transformation and artificial intelligence has allowed me to introduce digital solutions to optimize production processes and improve the user experience in the audiovisual and cinematographic industry. This expertise was shared during my masterclass at the Africa Pavilion at the 2024 Cannes Film Festival. Entitled "Digital Transformation and Artificial Intelligence in the Film Industry", this session offered an in-depth exploration of digital transformation and artificial intelligence in the film industry. It revealed the behind-the-scenes of film creation in the digital age and highlighted the extraordinary potential for Africa in this changing landscape. Attendees were able to delve into emerging trends, disruptive technologies and the unique opportunities offered by this exciting development.
In 2023, I obtained a certificate of specialization in Introduction to research in human and social sciences from the Conservatoire National des Arts et Métiers (CNAM). This training allowed me to acquire the essential skills for building scientific knowledge, designing research projects and scientific monitoring, while preparing me for possible integration into the research environment.
Since my appointment to the Higher Technical Commission for Image and Sound, I have assumed the responsibility of Project Manager in Educational Innovation and Technical Practices. My mission consists of studying and improving the professional practices of technicians, as well as evaluating initial and continuing training content.
My academic training includes a Master in Innovation Management and Innovative Design, strengthening my understanding of processes
Masterclass "Transformation Digitale et Intelligence Artificielle dans le 7ème Art"
Pavillon Afrique
2024
- Animation of the Cinema Masterclass: “Digital Transformation and Artificial Intelligence in the 7th Art Industry”
I had the honor of leading the Cinema Masterclass entitled "Digital Transformation and Artificial Intelligence in the 7th Art Industry". This 2 hour and 30 minute session, broadcast live, allowed participants to familiarize themselves with technological advances and current trends in the film industry, particularly those related to AI and digital transformation.
> Innovation and Creativity: Presentation of new creative methods and narrative processes redefined by AI.
> User Experience and Engagement: Explanation of digital technologies that transform the spectator experience, with a focus on personalized recommendations by AI.
> Production and Distribution: Illustration of the use of AI-based tools to optimize the production, post-production and distribution of films.
> Ethics and Creativity: Animation of discussions on the ethical issues associated with the integration of AI in cinematographic creation, reconciling innovation and respect for cultural diversity.
> Collaboration and Convergence: Highlighting synergies between the film industry and immersive technologies, such as virtual and augmented reality and the metaverse.
> Opportunities for Africa: Exploration of potentials and promising initiatives for African cinema in the context of digital innovation and AI.
As facilitator of this masterclass, I not only shared my knowledge and expertise, but also facilitated enriching exchanges between participants, thus contributing to their understanding of the impacts of digital transformation and AI about the film industry. This experience strengthened my ability to lead discussions on complex topics and inspire innovation in filmmaking.
Detailed Description
- “It is with great joy that I will participate in the Africa Pavilion at the Cannes Film Festival, supported by the French Association of Film and Television Producers (AFPF). This opportunity to represent innovation in the industry cinematography is a source of pride. The Africa Pavilion offers a platform to promote our projects, meet partners and contribute to the influence of our industry. Africa has every place to integrate innovations into its production, production and distribution processes. post-production, and this event is the perfect opportunity to demonstrate it. Cannes is a place of inspiration where creative minds come together to celebrate the art of cinema. I can't wait to live this enriching experience, to exchange. with my peers and to discover new talents. I thank everyone who made this participation possible and I am determined to represent our cinema with passion and excellence during this prestigious event."
Company Description
Pavillon Afriques promotes visual storytelling from African and diaspora creatives, while making Africa a filming destination.
Goals :
Increase the representation of African filmmakers and producers.
Develop a viable film industry in Africa.
Facilitate access to the best African talents and connect them to investors.
Networking:
As a unique platform, Pavillon Afriques offers unprecedented access to resources and professionals in the African film industry. It highlights organizations invested in African cinema, highlighting the growth potential of the continent and its diaspora.
Annual Event:
Since 2019, our main event has been held every year at the Cannes Film Festival, bringing together Africans and Afro-descendants to welcome the whole world.
Goals :
Increase the representation of African filmmakers and producers.
Develop a viable film industry in Africa.
Facilitate access to the best African talents and connect them to investors.
Networking:
As a unique platform, Pavillon Afriques offers unprecedented access to resources and professionals in the African film industry. It highlights organizations invested in African cinema, highlighting the growth potential of the continent and its diaspora.
Annual Event:
Since 2019, our main event has been held every year at the Cannes Film Festival, bringing together Africans and Afro-descendants to welcome the whole world.
Company website