Adoum DJIBRINE-PETERMAN

My professional career has been shaped by various experiences in international trade, audiovisual and innovation. I began my career exploring African territories, notably Chad and Ivory Coast, as well as the air, logistics and commercial sectors within the Air France Group.

In 2003, I launched my first audiovisual work, Reality Mag, well before the rise of YouTube. This disruptive production marked urban culture and transformed the standards of production and distribution of audiovisual content of the time. Its impact was such that it received a gold DVD certification, testifying to its significant influence in the audiovisual landscape.

My interest in entrepreneurship led me to introduce Tilos software to France, a linear planning tool adopted by companies such as SNCF, Bouygues, Vinci, Alstom, Razel, Colas, Cofiroute, and others. This success has been recognized by recommendations in calls for tenders for major civil engineering projects. I was a laureate of the Entreprendre and France Initiative networks, and named Hope of the Seine-Saint-Denis economy in 2009. I also chaired the La Nouvelle PME association, supporting numerous entrepreneurs from the political districts of the city.

As representative in France of the Chamber of Commerce, Industry, Agriculture, Mines and Crafts of Chad, I facilitated commercial intermediation activities for Franco Chad, establishing fruitful links between French companies and Chad.

As the founder of the Franco-Chadian association Chibina, I invested in the promotion of spirulina, a resource for which Chad is a reference country, thus contributing to sustainable development.

In the cultural and creative industries, notably audiovisual and cinema, I have designed, produced and managed innovative projects. As an associate of the company De l'Autre Côté du Périph', which produced the film "L'Ascension" with Ahmed Sylla, I led projects such as "Dans Mon Hall", an education program à l'image supported by the CSF, the Abbé Pierre Foundation, the Fondation de France and the CGET, leading to the first edition of the Dans Mon Hall festival at Paris Town Hall.

Cinema and transmedia productions represent for me a field where I can express my skills and my passion for creation. My professional practices integrate multiple intelligences, STEAM education (Science, Technology, Engineering, Arts, Mathematics), blue ocean strategy and lean startup.

As a producer, production director and general manager, I have worked on numerous audiovisual and cinematographic projects. I have also been a technical service provider for several films and productions, providing suitable and relevant solutions which have earned me the nickname "Swiss army knife of production logistics". I provide this skill within educational institutions, thus allowing it to be passed on to the next generations of professionals.

My expertise in digital transformation and artificial intelligence has allowed me to introduce digital solutions to optimize production processes and improve the user experience in the audiovisual and cinematographic industry. This expertise was shared during my masterclass at the Africa Pavilion at the 2024 Cannes Film Festival. Entitled "Digital Transformation and Artificial Intelligence in the Film Industry", this session offered an in-depth exploration of digital transformation and artificial intelligence in the film industry. It revealed the behind-the-scenes of film creation in the digital age and highlighted the extraordinary potential for Africa in this changing landscape. Attendees were able to delve into emerging trends, disruptive technologies and the unique opportunities offered by this exciting development.

In 2023, I obtained a certificate of specialization in Introduction to research in human and social sciences from the Conservatoire National des Arts et Métiers (CNAM). This training allowed me to acquire the essential skills for building scientific knowledge, designing research projects and scientific monitoring, while preparing me for possible integration into the research environment.

Since my appointment to the Higher Technical Commission for Image and Sound, I have assumed the responsibility of Project Manager in Educational Innovation and Technical Practices. My mission consists of studying and improving the professional practices of technicians, as well as evaluating initial and continuing training content.

My academic training includes a Master in Innovation Management and Innovative Design, strengthening my understanding of processes